I've been dog sitting the past few days.  It has been strangely relaxing.  There are so many times when I swear I prefer the company of animals.  Go figure.  

At any rate, I've been living at Claire's house and hanging out with the adorable and affable, Dudley, a large Labradoodle.  Unfortunately, we had a ton of rain during my stay and we didn't get to enjoy all the long hikes I had planned.  But I could tell he needed some exercise so on day two, I sucked it up and took him to the Dog Park in the rain.  I threw his ball so many times I lost count.  He ran like a beast retrieving his ball over and over, then wallowing in trenches of rain water.  I had to dry him off and comb him out once we got home.  And then he was utterly exhausted for the rest of the day.  Which undoubtedly explains his boredom with my Sound Bites, tee, hee.  

I am replenishing inventory for 3 (yes, that is THREE) shows in a row in August in case you are wondering.  

Meet John Gutoskey

Assemblage artist extraordinaire.  Pronounce it the art speak way.....ahhh-sem-blahj....because this guy is the real deal.  

I met John at the Krasl Art Fair a few weeks ago.  It was his first art fair ever.  He was a wreck from nerves, hadn't slept a wink, practically delirious from worrying about every little detail of the show.  I was doing my usual speed walk of the show, just to see if there was anyone new, something I hadn't seen before, art that jumped out at me. 

And oh my, did it ever.  The color, the intricacy of detail, the repetition.....kitschy yet symbolic, whimsical yet deeply moving.  You could study this work for a long time trying to unravel what it meant for the artist and for you, the viewer.  And I knew that this guy was not just another wannabee assemblage artist. 

Lucky for St. Louis, he will be here in September at the St. Louis Art Fair.  So go and see him there.  He's a doll and you will love the art. Obviously, don't forget to come over to Schlafly and see me too, wink, wink.

You can see more work at John's website......click here.   

Open Studios recap

It was beastly hot.  I never actually heard the final temperature, but let's say near 100?  The media kept talking about heat warnings, don't go out of the house, blahblahblah. 

But what did I do???

Well, I went to my Open Studio of course, in the alternative space provided by the Contemporary Art Museum (for those of us who have studios outside the city limits).  It was a very raw undeveloped space and I would love to have my real studio there......oh those perfect high ceilings....but alas, no air conditioning.  There were a couple large fans, luckily one was right near us.  

The first pic shows "my" corner and the second pic shows how the 3 of us(me, Heather, Greg) staged the entire space(that's Heather sitting at the table).  We, (Heather and I) gave Greg part of our walls because his space was in the middle and would have required him to bring walls, which would have been a total pain.  And we're just so nice we helped him out.  We even did all the drilling into those masonry walls for him because he had an opening over in KC and wasn't around during set up (which was a total horrendous pain in the rear, set up that is, not Greg's opening, but that's a story for another day).  Suffice to say I am not so swift with power tools.  Thank God for Heather.  

Anyhoo, Greg kept joking that we were "his bitches" doing his set up.  But he owes us big time now and Heather said it best, "he is our bitch now." 

Despite the heat, it was fun.  Yes, it really was.  We had beer.  We had margaritas for MB cause I'm not a beer drinker.  Pizza from Imo's.  Good tunes. And good friends.  We talked to folks, made connections with other artists, and just had fun.  Crazy I know. We tore down and had everything back in the vehicles in 37 minutes flat.  I nearly passed out in the back of the truck (under the camper shell) while trying to arrange stuff but nothing that some Gatoraid couldn't fix.  

The "after party" was a Bar-b-q at the museum.  And that was also a surprisingly good time which I only say because my butt was soooo dragging, I felt like I was wearing wet clothing (hmmm, probably because I was) and all I really wanted was a nice shower.  But I digress.  I "freshened up" in the ladies room, where I practically bathed in the sink and snuck my undies into my purse, tee, hee.  Ok, yeah, tmi, but I instantly felt better.  So I enjoyed catching up with lots of my artist friends and even meeting some collectors who attended the show.  We stayed a lot longer than I would have guessed, but then Heather & I left, flew home, I dropped her off, I finally made it into the shower and I swear I was sound asleep by 9:30pm.  

See that green painting of mine, 2nd from the left. leaning on the wall?  It's gone.  Sold to the most lovely couple, it now has the perfect home.   

And oh yeah, someone tried to buy my rug.

!!!!

At first it was really cute when Merlyn started kissing me on the lips.  He would press his little cat mouth up against mine and it was absolutely the sweetest thing in the world.  Since we've returned from vacation he has been more than needy and morning kisses now involve his very wet nose along with a simultaneous head/face butt action.  Over and over.      

Ugh, nothing like being slimed into consciousness each morning.  

I wonder if it's possible to teach a cat to air kiss.

This is my space for the Open Studio event on Sunday.  We are doing the set up tomorrow.  I have no idea how it's going to work as of yet.  Geez, I barely know how to handle a drill let alone this type of wall.  I mean what's up with that bracket thingie???

I do have the right drill bit and supplies though.  And you gotta love the windows!!  I am working with my friends Heather and Greg and we will actually combine our 3 assigned spaces into one group presentation.   All because we bought a keg of beer to share with our guests and we thought it would be easier to stage one "party."  Imagine that!?!  

So, come on by Sunday from 10-4 and see how we have transformed this space.  There will be a bunch of artists and I'm going to do demos and will have art supplies to play with.  Should be a lot of fun.  

Contemporary Open Studio - Alternative Space

Sunday, July 20 from 10-4

750 S. 4th Street

St. Louis, MO

Contemporary Preview party

Last night was the Preview party.  Here I am standing next to my piece - I love the way it looks like I am holding the name tag in my hand (thanks Darryl for taking the shot!). Yes, I stood right there in the museum and allowed myself to be photographed next to my piece. Cause who knows when I will next be in a museum show and I'm not too proud to be proud, tee, hee.  

This piece is 8" tall by 24" wide, titled Haven Knows - it was part of my show at Jacoby earlier this year.  It is so oddly reminiscent of my Stick a Fork in it Already piece of a couple years ago(click here if you would like to see a picture of it) and this landscape/body shape comes up over and over in my work.  I have come to accept it as a personal symbol.  Stick a fork in it piece hangs in my studio these days.  It is such a highly personal painting as it has a lot of journaling (right on the face of the art) about my struggle with weight, my stomach specifically, and how I really want to learn to accept and love my body.  Haven Knows is an abstracted continuation of those thoughts.  It comes from a more peaceful and grounded place.  

So here I was, at this party, thinking about all this stuff, like I do - brain of mine that I simply cannot manage to turn off for one moment, yee gads.  

We walked out of the museum and what do I find on the ground but one of Jennifer's wish pennies.  Click here to read more about her very interesting project.  The penny I found was about wishing to be thin without being anorexic.  That lil penny has provided a lot of food (yes I'm food obsessed, what can I say-smacks self in head) for thought and how synchronistic I found it just then.  

I have waaaayyyy digressed into other areas here, we can just call this the post that went astray, ha!   

Suffice to say the party was fun.  I caught up with several of my collectors, talked to other artists, just generally had a good time.  And my headband/grey root disguise worked marvelously.  

Summertime/Open Studio this weekend

Thought I would share one of my vacation photos today.  Isn't this a lovely little spot of paradise?

I am relaxed, energized and full of new ideas.  The show at Krasl was good - there is something kind of cool about going on vacation and ending it with a show so you come home with money in your pocket.  The sweet life indeed.  

We drove over 6 hours to get home last night.  Yeah, it's a little crazy, but I've got to get ready for the Open Studio event at The Contemporary.  While we were gone, I got an email that the alternative exhibition building (which is where I am showing my work and I've never seen the space) will be available for viewing today (Monday) from 11-1.  Well  duh, I obviously want to see it, measure my linear feet, check on what type of lighting I need, etc.  So, John and I boogied home as quickly as possible and I'm headed down there shortly.  Thank goodness for laptops and being connected.  It's absolutely vital when you are in biz for yourself, I swear.

I'm also going to check out spaces for my buddies Greg & Heather, who are also exhibiting on Sunday, but can't go today.  Greg has a photo shoot - imagine, he has a day job, tee, hee.  And Heather's van broke down coming home from her Chicago show.  Thank goodness Amie's with her, but their big adventure has gotten a lot bigger as they are now stuck in the middle of Illinois, camping until the van can be fixed.  I feel horrible as we apparently drove right by them last night.  Ugh, we talked on the phone later and nothing could have been done since our truck was packed to the gills and we couldn't have wedged them in if we had wanted.  Plus they more or less need to stay there to bring the van home.  But darn it anyway, wish we could have helped.......the least I can do is let Heather know what to expect from her space, so I will email her photos later today.  And keep my fingers crossed that her van can be fixed for a minimal cost and she and Amie get home soon, safe and sound.

SO....If you're here in St. Louis, definitely mark your calendar for this SUNDAY, July 20th from 10-4 when I will exhibit at Chouteau's Landing, 750 South 4th Street from 10am-4pm.  The building will be jammed with all us "alternative space" artists so it's a great opportunity to see a bunch of art under one roof.  I'm bringing a variety of new works plus I'll do demos and serve snacks and drinks (yes, some of us went crazy and bought a keg!).  Expect an art party.

And, while you're at it, come on down to The Contemporary on Tuesday night for the Preview Party.  It should be a blast; it was last year - 5:30-9:30 at the museum.  I'll be one of the many artists spazzin' out about seeing their work on a museum wall.  

Doors open and close

We are heading out on vacation, woo hoo, yippe, ki- yay, and all that stuff.  A few days in Saugutuck, MI and I should be back to normal whatever that might be.  Then I'm in the Krasl Art Fair on the Bluff.  You can click on the link over there in the sidebar for more information.

I have packed a tote bag of books like you can't believe, most from the library, but a few art books that I own and want to study at length.  I have trained myself to read while John is driving, so I hope to move through a few of them at least.  Plus my journal for writing and my journal for art.  Plus my knitting.  Plus CD's, etc, etc.  You might think I was going to be in the car for weeks the way I have packed.  And I suppose I could also do these things on the beach too, but I know what will happen......I will hear the lull of the surf.....and immediately fall to sleep.

Click on over to Artsmith's to read about a show that I recently attended.  If you're in St. Louis, check it out.  If you're in MI, come see me at Krasl.  And I'll see you all back here in a week or so.  

Happy Happy!!!!

Click here for more information on this incredible quilt.  Sure wish I knew how to make one.   And yes, those are my adorable grandchildren and their parents at the neighborhood parade this morning.  How sweet is that!?!?!?

(ps........this is a part of my self taught Photoshop training.  I know it looks rudimentary, but I am happy with how it turned out)

  

You might wonder where I've been.  I'm still here, just fiercely busy getting ready for my next show, trying to get ready for vacation(I am sooooo ready!) and also juggling to make work for the Contemporary Art Museum's Open Studio event.  Plus my parents were here.  Plus I have pieces in 2 shows.  Plus new works wanted by galleries.  Plus I have a commission pending. Blah.Blah.Blah. It's all good.

I do have news though!!  I am thrilled to announce I will be teaching 2 classes at Artfest in 2009. Yippee!!  Watch my blog for more detail; the Artfest website, with the entire class list will be posted on August 1st.  I am teaching the same Claybord class from last year, plus a new claybord class that will have even more techniques.  They are stand alone classes, or you can do both of them.  Details coming soon...

And in other news, I painted with Kool-aid tonite.  Yep, I really did.  It was a project my step daughter heard about.  So easy - basically you take 2 tablespoons of water and mix with a package of Kool-aid.  We made up 5 colors.  After they are dry, all the painted spots become scratch and sniff!?!?!?  Isn't that cool?  Seriously, it was way fun.  Too bad I can't find a way to work that it into my usual repertoire.

Chris Jordan, Photographer

Every once in awhile I hear about something that makes me so very proud to be an artist.  Proud to be part of something bigger than myself.  Because I like the idea that I am part of an ongoing commentary that has existed for thousands of years.  It is my belief that artists, when performing at their highest levels, offer a mirror to society, through their art.  

Of course I don't do it all the time, but with my Common Denominator series, I have tried to explore something deeper.  Sure, the work is light and funny, but there is more beneath the surface.  It's fundamentally about people and how we are all more the same than different.  People of different times and circumstances, the same, just people.  

And my trash work is a commentary.  An attempt to forge beauty out of trash.  To challenge myself to re-use material, take every day objects, the discards of life - and view them through different eyes. 

Sorry I digressed for a moment there, talking about my own work.  I mainly want to share this amazing video clip with you.  Because here is an artist who is doing it.  Someone who is making art that offers social commentary and allows us to all take a look at where we are.  His work is absolutely amazing and thought provoking.  It's an 11 minute video and is well worth your time.  It made me think.  And think.  And think.  

To watch, CLICK HERE.  

Weirder than weird

I have set up Google alerts for my name (MB Shaw and Mary Beth Shaw) so I know every time someone "talks" about me on the Internet.  It is actually pretty cool cause then I know when I am mentioned in other blogs, etc.  I've made some interesting contacts and have been able to acknowledge and thank folks for mentioning me.  

BUT.

Yesterday, then again today, I got the weirdest ones ever.  Both were blog mentions from two young people - I have no idea their age or location - who are at summer camp.  They had participated in an evening of scary activity, campfire, stories,  ghost walk, etc.  Remember that kind of stuff from camp, where the counselors try to scare the piss out of the youngsters?  

At any rate, the "ghost" was named......yes, you guessed it......Mary Beth Shaw.

Yee gads.

The Princess (that would be me) rarely puts gas in her own car.  Yes, it's true.  My sweet husband anticipates the need and somehow always has my car tanked up and ready.  Just like he always has a wallet full of money and serves as my personal ATM machine.  

But anyhoo, we had been out of town (at shows, duh) and the car needed gas.  I drove it on Monday and saw that it was low.  Tuesday it was still low and the gas price had dropped down a bit, but I thought I would wait.  

Stupid.

Wednesday I definitely needed gas and so I filled up the tank at $4.15 per gallon (I use the middle grade).  It cost $57.  Yikes, I couldn't believe it.  

Thursday we were driving to Ian's t-ball game and the price had gone down 2 cents.  Now why do they even bother to patronize us with that!??!?!

Last week when I was working round the clock, it occurred to me what a very strange life I lead. I had barely slept at all when I awoke quite early and stumbled into the studio wearing my nightie.  I find that viewing my art very first thing in the morning helps me find a fresh approach.  After one look at the painting, I knew what I needed to do.  I grabbed a paintbrush out of the filthy water (yeah I know, leaving them in water is not recommended) and peeled a used Tootsie pop stick off the tarp to mix my colors.  Seemingly minutes later (really more than an hour) I had fixed it. Of course I also had paint on yet another item of clothing and on top of my toenail polish.  

That last 40x30 sold in Nashville by the way.  It's all about big abstracts lately.  Which is fine with me as I love to paint them.  

  

I'm a celebrity in my own mind

John and I are in Nashville, TN this weekend, at the American Artisan show. There are 4 of us from the St. Louis area and we all ate Cuban food last night, yum, yum. The restaurant, Calypso Cafe, is one block from our hotel and I swear I'm just going to eat there all weekend.
We are so wiped out from recent shows that we both crashed at 10 pm last night; the room cooled to meat locker temp and the puffy bed provided perfect sleep conditions. Now I am energized and back in action, ready to roll!

So, I got an early phone call advising that I have been featured in the local paper. OMG. Who knew!??! John ran downstairs to find a copy for me.....geez, Louise, it rocks. I think I love Nashville!

So, if you are here, check the Tennessean - the Weekend section. And come see me at the show in Centennial Park -Friday, Saturday, Sunday. If you want to check out the article online, here's a link.

Chicago rocked, despite the unbelievable winds and rain.  Needless to say, I got to witness the integrity of my tent first hand as John and I huddled inside during the onslaught.  

We are headed to Nashville this week, see the sidebar for details.  The show is in Centennial Park. I am really looking forward to it; I'll be able to catch up with my friend Rhonda and another friend, Jeane Vogel, will also be there.  That makes it so nice, to hook up with other artists.  Chicago was like that too, lots of people I knew.  John and I had the opportunity to be with Mary Smith and her hubby Gary.  They are lots of fun and easy to hang out with.  We had many laughs; some of the "misery loves company" type regarding the weather.    

Here are some booth shots from recent shows - I've been changing the layout slightly each week, hanging the art differently.  I enjoy switching it around.  It is also interesting for me to see how the abstracts blend in with the rest of my work.  You can see I am still playing around with this green/yellow palette.  All the diptychs shown have already sold - in fact, everything on the back wall (in the first picture) sold this past weekend, yikes!  Needless to say I'm at work on some more abstracts but it's questionable whether any of them will be done before we leave.  I may have to varnish on the fly.

Patterns & Pixels at Art Saint Louis/57th Street

Finally, here is the triptych that is in the Art St. Louis show.  The Preview party was terrific tonight, extremely well attended.  I thought the show was quite nice and the new gallery is fantastic, a huge upgrade with amazing high ceilings.  Just beautiful.  I felt proud to be part of the show.

The piece is 30x30, each section is 10" wide by 30" tall, on claybord.  They are acrylic, collage, molding paste, ink, spray paint.  The title is "Wondering and Wandering on the Lunar Path."  We were invited to submit a brief artist statement if so desired and here is what I said about my work.  

"I have a nearly obsessive interest in cycles, repetitions enacted and observed daily.  marks on canvas - intentional, intuitive - what is random?"

If you happen to be in Chicago this weekend, come see me at the 57th Street Art Fair.  A link can be found at my sidebar.  If you happen to be in St. Louis this weekend, go support Art Saint Louis with their official gallery opening on Saturday, link also on the sidebar.

New Diptych

If you've been paying attention, you will see similarities between this one and the recent one I sold at 4 Bridges.

I wanted to work with the same colors.  I'm still trying to make a piece for our family room, so one of these days I may get to keep one.  I have to say I really dig these colors plus this hieroglyphic marking thing I have going on right now.  I just can't.stop. doing.it.

Go figure.

Each piece is 24x24 on canvas.  It's acrylic, collage, molding paste, ink, marker, spray paint.

It needs a name.  Ideas?  I was thinking about patterns and pixels as I painted, not as the name, but as the subject matter, you know what I mean.  That was the theme of the last show I painted for and I can't get it out of my head.  The one where I delivered it to the gallery and forgot to shoot it first. With a camera, not a gun.  But you knew that.  A photo will be forthcoming after Thursday night.  Which reminds me.....I need to tell you about the Patterns & Pixels opening and the brand new Art Saint Louis Gallery.....  

There's a Preview Party this Thursday night between 5-8pm.  I will be attending it if you care to stop by.  I need to photograph my piece, ha, but seriously, I also want to see the show and especially the new digs!  If you think you might go on Thurs, please rsvp to kate@artstlouis.org 

And don't forget the real opening Saturday night from 6-9pm.  I'm sure it will be great fun but I'll be in Chicago at 57th Street.  Also having great fun, at least I hope.  

Patterns and Pixels

Art Saint Louis

555 Washington Blvd, Suite 150

I'll have whatever she's having

I don't venture into the political arena on my blog, but I need to say something about Hillary Clinton.  

And it's probably not what you are expecting.    

I want to know what she's ON?????  

And what kind of make up she wears.    

Geez Louise, after campaigning like a maniac for God only knows how many months, she looks better than ever before, perfect make up at all times.  Plus she has some other-worldly energizer bunny thing going on.  Which strikes me as so unusual for a woman who must certainly be menopausal or peri-menopausal.   

OK, rant over.

Check out my Calendar of events in the right-hand sidebar.  LOTS of new events have been added, yikes, I need to get busy, huh?  What am I doing writing this blog anyway!??!      

Inside Out

There are times I wish I still lived in The City.  That being San Francisco of course, the only city I've ever really known.  But New York would suffice.  Or possibly Chicago or LA.  My desire is primarily about availability of stuff that adds to an interesting life experience.  Stuff like Art - Movies - More diversity in Ethnic Food - New Theater - A wider range of Incredibly Fresh Fish.  Things that don't make it to my part of the country, that being the Midwest, a place where coastal types (possibly) imagine we are all naive and so un-hip we wouldn't know what to do with a leading edge lifestyle.  Hmmm, I guess maybe I hang with a different group, but I know lots of us who would enjoy such a lifestyle.   

But I digress.  

We subscribe to the NY Times so I can read about all this stuff I'm missing.  Like a new exhibition at MOMA (NY, not SF) called "Glossolalia: Languages of Drawing."  It is described as a mix of drawings by "outsider" artists and "insider" artists - professionals who have been conventionally trained.  There are no such labels on the art nor is it segregated in any such way.  The link-up for the show is the simple premise that all the exhibiting artists work from internal inspiration and that each artist "has created a unique language with which to express his or her own experience."  

I am interested in seeing the show because this is how I work.  It all comes from inside, sometimes with little rhyme of reason.  I am still working on my "language" as I find it develops more and more  each year.  I have never called myself an outsider per se, although I supposed I am on the cusp since I lack conventional training such as an MFA.  But I have sought foundational training such as the drawing classes I took at UC Berkeley, plus I have taken workshops here and there.  My painting, though, is largely self taught - kind of "girl let loose with art supplies."  

An interesting distinction about "outsiders" (at least per the article - here is a LINK if you want to read it) is that "outsiders seem not to worry too much about how their creations will appear to others..."  I find this fascinating and it also distinguishes me from outsiders as I do tend to care how my work is perceived.  

I have seen a lot of outsider art during my last 2 years exhibiting at Kentuck.  The art I have observed there (at Kentuck) is all so completely raw.  I admire the artist's ability to reach deep within and to express themselves with no apparent edit function.  Personally, I love this loose approach, but I know there are folks, such as my husband, who simply don't get it.  They prefer their art to be more easily accessible.  

I think I admire the raw and loose so much because I have this insane tendency to work and overwork and even, perish the though, think about my work.  I finished (perhaps) a new diptych yesterday and displayed it for friends last night at dinner.  I talked to my friend Bud about whether it was finished and he said yes.  I said I wasn't sure.  He probed for my reasons and I admitted somewhat sheepishly that I hadn't bled on it enough.  I felt I should have struggled more and messed it up, then salvaged it before pronouncing it done.  He just shook his head.   

Something a little twisted about that, eh?